电视剧汗血宝马

平日作風大膽的刁蠻女明星，因為搭便車而被看似斯文英俊的男子強暴，堅持提出告訴，反而遭到輿論攻擊奚落，痛不欲生。負責報導的女記者婉清，獨排眾議、不顧一切的追查幕後真相，卻反而在深夜遭到四名酒醉工人輪暴，不僅身心受創，也因此與未婚夫解除婚約。從此對社會公義與人性徹底絕望的她，於是佈下天羅地網，以更殘忍恐怖的虐殺反擊，展開瘋狂的復仇行動…。以《上海社會檔案》一片爆紅的陸小芬，在《瘋狂女煞星》化身恐怖復仇女神，展現了更驚人大膽的演出。女導演楊家雲在片中巧妙運用多種暴力元素，筆長尖銳的武士刀鋒、水泥工地的外露直挺鋼筋、破碎的戳刺玻璃、罕見的長柄獵槍等等，充滿陽具象徵意義，在極盡性別剝削之餘，卻全部成為陸小芬手中復仇的殺人利器，極富視覺快感的反轉意味。相較之下，多年後昆丁塔倫堤諾和烏瑪舒曼的《追殺比爾》，甚至反而略顯工整而保守。

新中国成立以后，对原国民党战犯的改造摆到了党中央的议事日程，毛主席（古月 饰）告诉罗瑞卿（邸国强 饰），改造过程要有强制改造到自觉改造。朝鲜战争爆发的消息传来，战犯管理所内引起不小轰动，不少犯人窃以为第三次世界大战要爆发，内心蠢蠢欲动。也有战犯对形势作出了相反所判断，被俘前做过装备部主任的杨伯涛（陈申生 饰）对美械装备很了解，积极进言，想帮志愿军，此举得到杜聿明（郭法曾 饰）的支持。管理人员抓住战犯上进心理，从生活上、思想上真正关心他们，个别人交待了以前隐瞒的历史材料。共产党人的博大胸怀最终感化了战犯们抵触的心灵，认识到打内战给国家民族带来的灾难和痛苦......本片根据长篇小说《将军决战岂止在战场》改编。

《张震讲故事之洗脸女生的传说》主要讲述了有共同梦想并成功入选公司进行练习生培训的褚甜甜和钱思楠，自幼相识情谊深厚；但钱思楠长相美丽，是未来之星；相较之恬恬长相平凡，只因嗓子好勉强入选，恬恬自卑为此苦恼；一次偶然机会得知洗脸女生的传说故事，并信以为真；前往传说的剧院召唤洗脸女生，结果发生诡异之事，二人受惊。次日思楠发现恬恬性格大变；并且光鲜亮丽许多，两人关系发生微妙变化，随后所发生的一系列微妙的事情。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.