暴走糗事

美日战争爆发，14岁的清太带着年幼的妹妹到处逃命，当他们到达防空洞的时候，母亲已身受重伤，没过多久便不久人世。两兄妹自此过着相依为命的日子。他们只好投靠了母亲的姐妹，纵使他们把家里所有的家当都送给了阿姨，但当食物吃完，他们就越感到了寄人篱下的感觉，清太决定带着妹妹离开独自生活。火灾硝烟中的生活并不好过，清太为了妹妹四处偷取食物，但妹妹还是严重营养不良……

具有特殊能力的一群变种人组成了一个维护世界的小组——X战警小队。成员包括能吸收对方能力的淘气、双眼能放致命射线的镭射眼（詹姆斯·麦斯登（James Marsden饰）、能随意控制气候的暴风女（哈莉?贝瑞 Halle Berry 饰）、具有隔空取物和心电感应能力的琴葛蕾（法米克?詹森 Famke Janssen 饰）…… 不久，金刚狼（休?杰克曼 Hugh Jackman 饰）也出现了。不过金钢狼脾气暴躁、独来独往，X战警小队想极力拉拢他加入队伍，无奈孤傲的金钢狼一时也没有答应。与此同时，能控制一切金属的万磁王此时也在极力拉拢金钢狼，X战警小队不仅要费尽心思对付万磁王，还要小心亦正亦邪的金钢狼。他们能否取得最后的胜利？

人气恐怖悬疑韩漫《#整容液#》的改编动画电影发布预告！《整容液》出自韩国漫画家吴城垈脑洞大开的“奇奇怪怪”系列网络漫画，讲述一款名为“整容液”的产品能让人轻易改变容貌与身材，像捏黏土一样轻松变美，女主在使用整容液后成了受欢迎的“女神”，却因其副作用而出现了逐渐失控的展开。影片将于今年8月在韩国上映。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.