无法抗拒的他第八集

家人手牵手，背后留一手。这是一场因“诈骗”而起的团圆饭，两个家族彼此尔虞我诈、斗智算计。行为不羁的美国三人组对上传统保守的台湾客家望族，成员们各自心中盘算，各种过招下，不到最后绝对不知道谁才是赢家！

洪兴社经多年发展，基本已将生意转入正行，老当家忠叔出于义气接受海龙社当家的请求，拜托警界多年好友林森对海龙社毒品生意网开一面，岂料两人会面时遭人行刺。林森遇害，忠叔为避嫌只得远走台湾，将社团事务交予三个儿子。英国留学归来的反黑组警官梁振邦（张耀扬 饰）办案讲求原则，与忠叔脾气火爆的次子阿武（黄光亮 饰）多有摩擦，三子小玉（刘德华 饰）为人冷静，梁警官和他几次接触，彼此留下颇深的印象。另一方面，强运社当家阿飞挑拨海龙社与洪兴社关系，两方人马厮杀不断，小玉一再克制，对方反而得寸进尺杀害大哥阿文。忠叔返港引发两方决战准备，梁警官亦率领警队严阵以待……

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

本片讲述一个男孩从6岁到18岁的成长历程，导演理查德·林克莱特花了12年时间来完成这部作品。它仔细描画了孩子的成长过程，及其父母亲各个方面的变化，可以让观众细致入微地体会岁月流逝的痕迹。为了不打扰主演艾拉·萨尔蒙的正常生活，拍摄均在他暑假期间的简短时间内完成。