系统之名养成器女主

前狱长邓瀚宗因收受贿款入狱，而逃狱失败的贺俊被逼回到监狱服刑。贺俊看准邓瀚宗对监狱的熟悉，引诱他合作逃狱。二人一拍即合，更企图制造事端嫁祸滚筒，以免重蹈失败的覆辙，但过程中贺俊发现邓瀚宗另有诡计，迫使他倒戈与滚筒、建天等人和新狱长马文豪合作，联手破解邓瀚宗的阴谋。

少女时期的方圆经历了两次算命结果命中注定她未来的爱人叫宋昆明。长大成年后的方圆在即将与谢明江结婚前却意外接到宋昆明的电话。于是，方圆不顾一切地追到意大利，随后在异国他乡展开了一段充满戏剧性的寻爱之旅。

兩個缺憾，造就一個完美荒謬的人生喜劇。女人，因為「切去乳房」買到房子，男人，卻因為「裝上假奶」買到了房子。男人帶著女人，展開一場尋找自己「假奶」的奇幻旅程......

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)