如果有一天

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

撒旦虽然赢得天下第一比武大会的冠军，却也惹得瘟神上门。18号时不时上门催讨撒旦许诺的两千万元，令这个虚名英雄不厌其烦。这一天，一个西装革履的男子但这挑战书上门，唯恐儿时尿床的丑闻公告世人，撒旦被迫接受挑战，随着个男人来到了位于大海中央的小岛之城——米克因城。除了18号紧紧跟随外，悟天和特南克斯也偷偷尾随而至。米克因城的主人是加雅•巴答男爵。为了报儿时撒旦欺负自己的仇恨，他聘请众多优秀的科学家通过基因重组制造出实力强大恐怖的生化战士，其中就包括悟天和特南克斯的宿敌布罗利。战斗开始朝着不可预测的方向发展……本片为《龙珠Z》剧场版。

重拾被遗忘的最好时光 炼成舞台上的最后胜利2017 年，香港天后级女歌手容祖儿于香港演艺学院歌剧院一连举办十七场「Joey · My Secret · Live」演唱会，演唱会以历年非派台歌曲（Side-track）为主，因此次选择融合舞台剧形式的小场馆演唱会，入场人数有限，以致众多歌迷一票难求，新颖的演出形式也引爆全港网络讨论。这次演唱会起源于 2010 年「Concert Number 6」尾唱的安歌（Encore）点歌环节，当时歌迷不断要求容祖儿献唱「去火星恋爱」及「麻烦你」等非派台作品，祖儿便打趣道：“不如揾次整个 sidecut 演唱会呢！（不如找次机会举行一场非派台歌曲演唱会吧！）”。事后祖儿初有忘记此承诺， 被歌迷提醒后祖儿曾不断向公司提出举行 Side Track 演唱会的主意，唯其公司不断反对及拒绝。直至 2016 年 5 月，网络红人亦是容祖儿歌迷的 King Jer 于其 Facebook 专页举办「容祖儿 Sidetrack 投票活动」，吸引过万名网民参与投票，事件引来其唱片公司英皇娱乐关注，令其公司态度软化，遂促成这次被港媒评价为「香港乐坛演唱会史上一里程碑」的演出的诞生。

洛杉矶的飞机制造厂里，突然发生了一场火灾，工人伯金（Robert Cummings 饰）和朋友简奋勇救火，但简不幸葬身火海，事后调查发现伯金递给简的灭火器中装满了电油，于是警方将伯金定为重大嫌疑人，展开搜捕。获悉这一情况的伯金回忆后发现，灭火器实际出自一名叫做弗莱的工人之手，但警方并未给伯金说明的机会，危急时刻，伯金奋力逃出，追寻弗莱的去向为自己洗脱罪名。在弗莱工作过的农场，伯金发现农场主杜宾居然也跟此事有牵连，于是匆忙逃跑。亡命路途上，铂金结识了广告模特佩蒂（Priscilla Lane 饰），铂金用诚挚打消了后者对自己的怀疑，与她结伴同行。在弗莱可能藏身的荒僻小镇，伯金乔装成杜宾的手下，打入了这个神秘的破坏组织内部……