桑德拉·布洛克饰演的Debbie Ocean是《十一罗汉》集团头目乔治·克鲁尼饰演的Danny Ocean的妹妹，曾因盗窃入狱服刑。而黛比刚一出狱就策划惊天大案，与凯特·布兰切特饰演的好友一起网罗顶尖高手，准备在一年一度的时尚盛会Met Gala（纽约大都会艺术博物馆慈善舞会）上盗取由安妮·海瑟薇饰演的大明星所佩戴，价值一亿五千万美金的卡地亚钻石项链。

本片根据艾德加·赖斯·巴勒斯的小说改编而成。讲述的是第一次世界大战期间，一艘德国潜艇在撞沉一艘英国人的船以后，救起了幸存者。但是这艘潜艇开错了方向，将这些幸存者带到了一片未知的土地上。那里，栖息着大量的恐龙和穴居人。他们能顺利地重返家园吗？

西南边陲山寨也受到商品大潮的冲击，人们都向往富足美满的生活。谭小强在外国闯荡了几年，赚了钱回来，用上了摩托车，引来村民们羡慕的目光。尤其一些年轻人也作起了南洋梦。小强的女友高玉婉和玉婉弟弟的女友依香瞒着家里人，同小强悄悄走了，到异国去寻找他们的梦。然而，等待他们的却是他们想不到的命运。一出国门就被一个叫老三的人接去住到凤姐住处，说是要给她们找个好工作。夜里，两个姑娘被什么声音惊醒，看到汽车运来一些鼓鼓的麻袋，放在院子里。玉婉偷偷打开一个，她惊呆了。里面都是同自己年龄相仿的女孩子。这些姑娘哭着告诉玉婉，他们是被谭小强等人拐骗来的，要把她们卖到妓院里去。玉婉气愤地质问谭小强为什么要干这伤天害理的事。可是已经晚了，谭小强染上了毒瘾不能自拔，被迫将自己的恋人也交给了人贩子。玉婉、依香和其他姑娘被人贩子运到了妓院，开始了日夜与禽兽为伴，惨遭凌辱的非人的生活，她们欲哭无泪，上天无路，入地无门，逃跑了又被抓回。她们只能度日如年地等待着。同时，国内的亲人也在四处寻找着她们，玉婉的弟弟借了钱出国寻找着，吃尽了苦头。中国警方和泰国警方也在联手搜捕这帮人贩子。终于，她们在警方的营救下回到了自己的祖国，脱离了那不堪回首的痛苦生活。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.