青青青青青操

书生陈仲躬（石隽 饰）的母亲身患重病卧床不起，为使母亲康复，仲躬向上天许下宏愿，母亲因此而恢复了健康。之后，为了还愿，仲躬来到终南山向高僧讨取残经，在一处荒废的庭院之中潜心抄写。入夜，庭院里传来袅袅琴声，一位名为素素（林青霞 饰）女鬼出现在了仲躬的面前。原来，素素死后遭到了恶鬼胁迫，被迫替恶鬼卖命，而仲躬正是她此次的“猎物”，可是仲躬生性平和善良，素素几次尝试都不忍心下手。之后，仲躬在古井之中找到一面古镜，这正是素素生前所有。素素自知自己和仲躬人鬼殊途注定无法在一起，与此同时，厉鬼亦对仲躬产生了兴趣，要将他害死。

吴海（大鹏 饰）为了给罹患哮喘的6岁儿子治病，在好友钟振江（张子贤 饰）的怂恿下，刻意结识了一个与他同样身处边缘和底层的网络女主播淼淼（柳岩 饰），决心酝酿一场别有用心的婚姻骗局……

赴纽约淘金的阿普尔盖特（Ginger Rogers 饰）在经历了几份不长久的工作之后彻底厌倦了这座城市，在她眼里，男人不过是一群举止轻浮的登徒子。但她购火车票回乡的时候发现自己买不起一张全票，情急之下将自己打扮成小女孩，购半票蒙混上车。为逃避乘务员检票，阿普尔盖特藏匿卧铺车厢，巧遇科比少校（Ray Milland 饰），年轻少校把她看做孩子，用温柔天真的方式待她，不巧被未婚妻帕梅拉误会，阿普尔盖特只得随少校暂住军校以澄清误会，期间十几岁的军校学员们对“少女”阿普尔盖特前赴后继，搞出连串笑话，少校与阿普尔盖特的情意也在渐渐滋长。分离的时刻到了，两人将如何对待这份感情？本片是编剧比利·怀尔德（Billy Wilder）的导演处女作。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)