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故事开始是一次失败的交易，坏家伙Michael Woods 用一架能攻击的遥控赛车来搞破坏，一场大爆炸将除Michael Woods 外的所有人都送上了西天。甄子丹扮演的志良出场很快并且挺有喜剧效果，他穿著象马戏班一样水红和白色间条的吊带裤，志良是个导游，捉住了偷他团员钱包一个小扒手不过自己的钱包却被偷走了， 于是志良就骑着辆自行车去追骑摩托车的小偷并且好好教训了他一番，不过反过来他又被小偷的同党弄了个蹦蹦车军团来追他，这一段看上去很象不太高明的滑稽戏，其它场面又比较野蛮，譬如Michael Woods 把手枪塞到一个家伙嘴里并扣动扳机，动作场景从头至尾在这两种极端之间摆动。Salvitti的疯狗角色每次开打之前总要把外套脱掉，有一处甄子丹以一个不可思议的一字分踢式从Salvitti头顶飞跃而过以躲避他的攻击。随后全体成员进入森林山洞。最后20分钟基本上全部是无所禁忌和不加停顿的动作场景，因为走私犯跟踪依照地图找寻金水晶的主角们也来到这里。Michael Woods 的新玩具是装载了炸弹的遥控飞机，当他控制飞机袭击主角们的时候这家伙得意无比，很多自动武器开火，然后就是中国功夫，丽莎的保镖(卢惠光)，挨了N刀居然没死，丽莎为了躲开一股爆炸的火焰从山崖上跌了下去摔得啃泥。志良在胡慧中和Joyce的协助下分别对付Michael Woods 和Salvitti，起先这些外国歹徒好象个个有不死体格，折腾得各位英雄们精疲力尽，不过最终这俩坏蛋的死状有够令人毛骨悚然，志良用一条铁链将Michael Woods 的脖子牢牢勒在一棵树上，Joyce给了Michael Woods丹田之下致命一击.头上挨了三棍再加上志良巨大圆木的劈头杀着，Salvitti也恶贯满盈，罪有应得地被送上西天。

高个女人在人们的议论中嫁了个矮个丈夫后，生活上虽遭遇了一些不便，但两人并不觉得有什么，相反还挺恩爱，可是好心的路人甲乙丙丁看他们这一对，越看越别扭。为了使他们的外型看起来协调，有人拿出增高鞋让矮丈夫穿，有人拿出假发让矮丈夫戴，有人拿出特别的衣服让他俩穿，还有人想给他们注射药物——总之，非要他们看起来像那么回事才罢休。几经折腾，夫妻两人终于让旁人满意，可是他们原本的内在协调却失调了。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

泽凯跟静珊交往两年了，两个人在深圳一起打拼，相伴相依甚是幸福。但在汕头老家的妈妈，却不知道泽凯已经有了女朋友，不停地给泽凯找对象，甚至安排人跑到深圳来跟泽凯相亲。泽凯知道，要让妈妈接受静珊是很难迈过去的坎，因为静珊有过一段婚姻，所以迟迟没有跟家人介绍过静珊。但妈妈不停地催婚，泽凯不得不面对，最终决定跟静珊领证结婚，带她回家，跟妈妈坦白一切。