陪我到以后

又是平静的一天，汤姆和杰瑞之间爆发了新的大战，虽然汤姆占有体形优势，却终究斗不过杰瑞的机敏，因此饱受戏耍。在躲避汤姆追杀的过程中，杰瑞偶然躲进了一瓶隐形墨水之中，出来后竟发现自己的下半身完全消失了。短暂的惊诧过后，他很快发现隐形的原委，于是杰瑞将全身都涂上了隐形墨水。另一方面，汤姆还逡巡在杰瑞的洞口前，布下种种陷阱等待小老鼠上钩，却不知道隐形的杰瑞已经悄悄来到他的身后。在此之后，倒霉的汤姆不得不与这个形同空气般的老对手展开连番对决。前所未有的战争旋即展开，而各种有趣的笑料也纷至沓来……

沉默冷艳的优是某神秘组织精细栽培的女杀手，除了对自己的培养人田所存有深深的爱恋外，其他任何人都不会引起优的情感波动。在刺杀新政党议员清水洋子的行动中，优面对清水未成年且患有自闭症的女儿和代迟迟不忍下手。警方将和代作为突破口，准备查出幕后凶手。不久，神秘组织得知和代生还的消息。为了不让心爱的田所失命，优擅自行动，时刻准备对女孩下手，此举却引起组织对她和田所的不满。另一方面，负责此案的刑警室田由此联想起十年前一起黑帮家族的灭门惨案。直觉告诉他女杀手与当年灭门案后失踪的小女孩有关。案件扑朔迷离，危机四伏……

当地时间2月7日，第55届美国职业橄榄球大联盟（NFL）年度总决赛——超级碗在佛罗里达州坦帕市打响，坦帕湾海盗主场迎战堪萨斯酋长。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.