夜行天使

许多年前，位于北海道的钏路高中，对高中生活充满畅想的女孩高桥七美（吉高由里子 饰）与同班男生矢野元晴（生田斗真 饰）相会。矢野阳光开朗，无论在学习还是体育方面都很优秀，帅气的他在同学中间非常有人缘，甚至传说有三分之二的女生暗恋矢野。最初的反感和误解过后，七美也渐渐喜欢上这个永远阳光的大男孩，可是似乎矢野的心中深藏一段令他久久悲伤的往事，无法坦然面对一段新的恋情。在一个烟花绚烂的夜晚，七美终于鼓起勇气向他表白。两人发誓携手同行，永不背叛，但这条恋爱的路上注定充满了磨难与荆棘……本片根据漫画家小畑友纪的同名原著改编，分两部上映。

孙平夫妇有一个儿子叫小宝（筱声咪 饰），他的母亲对他溺爱有加，但孙平自己无法以身作则，导致对小宝的教育效果不佳。夫妇两人的邻居蒋福根（笑嘻嘻 饰）有一个儿子名叫阿龙（沈一乐 饰），蒋福根经常对孩子采取打骂的教育方式，而他的母亲则一味地袒护自己的孩子。由于两个家庭的不当教育，小宝和阿龙开始打架、逃学、偷窃财物，并最终离家出走。然而，在学校和社会的帮助下，这些孩子们意识到了自己的错误，并开始走上正路。他们学到了正确的价值观和行为规范准则。同时，父母们也通过一系列经历深刻认识到了自己的教育失误，并从中汲取了教训。

自从上一集牛仔伍迪救回巴斯光年之后，他一直和其他玩具一起快乐的生活在小主人家。一次，小主人参加夏令营去了，伍迪因为破旧而没被带去。留在家里的伍迪恰巧被一个玩具收藏家发现了，认为他是近代最具代表性的玩具。于是将伍迪被偷了出来放在颇富盛名的文化博物馆内展览。在家里所有的玩具 都很担心伍迪，因此巴斯光年自告奋勇去寻找伍迪，但是当他们发现伍迪在展览馆时， 伍迪却似乎不再愿意回去过那平凡的生活……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.