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当成年的压力变得太大而无法承受时，一个女人就会在她生命中的某个时刻转变成年轻的自己。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

钟理（秦汉 饰）爱上了名为钟平妹（林凤娇 饰）的女孩，然而客家人规定同姓之人不能成婚，无奈之下，钟理孤身一人前往沈阳学习深造。两年后，钟理回到了钟平妹的身边，带着钟平妹私奔至沈阳，组成了小小的温馨的家庭。迫于生计，钟理当起了出租车司机，但却因为将逼良为娼的老鸨丢在荒野而丢掉了工作。高涨的民族气节让钟理拒绝了日本人提供的高薪工作，家庭陷入了贫穷和困顿之中，全部的重担都落在了当时已经怀孕的钟平妹身上。之后，两人前往北平，与此同时，钟理完成了他的第一部作品《夹竹桃》，就此踏上了漫漫文学之路。不幸的是，钟理患上了肺病，三番五次入院，治疗花费无数，但钟平妹并没有抱怨丈夫，而是不离不弃的支持着钟理的梦想。

故事发生在一个和我们的地球很相似的世界里，那里人们的灵魂变成灵神跟随自己。莉拉自幼（Dakota Blue Richards 饰）跟随身为约旦大学校长的叔叔一起生活，她热情、勇敢且富有正义心。一天科尔特夫人（nicole kidman 饰）要到北方去，希望莉拉能伴随身边。好奇的莉拉开心地答应。临行前叔叔交给她一个黄金罗盘，告诉她世界上只有一个人能读懂。莉拉从黄金罗盘中不仅能得到所问问题的答案，还了解到了自己的身世之谜。这一路上，科尔特夫人行为诡异，莉拉还发现在特尔特夫人的一份名单上赫然写着自己失踪朋友罗杰的名字！罗杰和其他孩子一样，被诱拐到极北之地成为科学试验品。莉拉找到时机逃跑出来，自己动身前去拯救罗杰……