今生今世电视剧

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

劇場版では、“チームラジハ”の放射線技師たちが史上最大の困難に立ち向かうさまが描かれる。

Detective Ryoo Yi Jae lost his beloved son in a hit-and-run accident. Without finding the criminal, the statute of limitations passed and the family collapsed. He was transferred to Namwon after drinking alcohol to soothe his exhausted daily life. When he was about to live a new life from meeting Eom So Hyun, he ran into Im Hak Chon by chance, the murderer of his son.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.