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本片為文藝喜劇，由大導演岳楓執導於1967年。故事描述，陳太太有女潔玉（舒佩佩）及美玉（李麗麗），潔玉已工作，美玉仍求學；適逢陳家有空房出租，少奇（楊帆）來租，一談即合；潔玉三個姊姊，皆與租客結婚，所以潔玉表姊趙靜蘭（林嘉）之母決仿效陳家租房選婿；未幾，有一醫科學生欣農（金峰）來租房，趙母見他是理想快婿，忙出租。原來少奇與欣農是同學，少奇老成寡言，被潔玉、美玉視為怪人，欣農則只顧談戀愛……

一群大学生在四月一日愚人节结伴到一无人荒岛的巨宅中度周末，结果碰上血腥的愚人节恶作剧。他们在互相玩笑之余却逐一被杀，而邀请他们前来的富家女莫菲圣琼却始终未露面，这到底是什么回事？影片明显地采用了艾嘉莎克莉丝蒂的侦探名著《十个小印第安人》的故事模式，让剧中人一个一个被杀

泰国发生震惊人心的绑架事件，完成最后杀人任务的杀手仁南（黄政民饰演），在得知这事件与自己有关之后，随即前往泰国，并与助手开始追查这起事件。另一方面，得知自己兄弟被仁南杀害的雷（李政宰饰演），为了复仇，也前往了泰国。惨烈的暗杀者与无情的追击者，展开了一场没有底线的猛烈追击。

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality.源自：