矿桥矿19集 桥矿影院

本集荣获1977第五届亚太区青年电影节金奖一小孩与祖母同居于坟场侧。每天，小孩都看到坟墓里的小孩子在做各种各样的工作。坟场对于他来说并不恐怖，似乎死是很自然的事。後来，祖母患病逝世，小孩从这种死别的经验中了解到生的意义及死的痛苦故事據說來自編導少年時的體驗，由生活在郊野的貧困小孩的生活片段組成，裏面有着童稚的喜樂憂愁和恐懼，既單純又充滿想像。導演以創新的影像語言寫出一個陰暗迷離的、介乎記憶、夢幻與真實的孩童世界，隱約勾劃出匱乏環境對孩童成長的影響；那彷彿是戰後一代人集體記憶中的成長過程。播出後即奪亞洲廣播協會主辦的伊朗影展金獎，並破例以電視片參加倫敦電影節小男孩阿海與祖母住在墳場旁邊。每天，他看到墳場裡其他小孩子在做工掙錢和玩耍，墳場對他來說並不恐怖，似乎死是很自然的事。後來，祖母患病逝世，他才體驗到生的意義及死的痛苦

讲述一个沉浸在过去伤痛中的梅花鹿饲养员刘陆（刘陆 饰），因为一次与老同学马海（王紫逸 饰）的相遇，无意中得知平行世界里有另一个自己，她试图抓住这次与自我、家庭、世界的和解的机会，不惜解开二十年前的伤疤寻找自我救赎的故事。

Ginko, the daughter of a poor shoemaker Ginzo, a child was sold to a geisha. From a student she became a real geisha and made her debut under the name of “Peony”. Great anguish caused Ginko molestation host teahouse. In Ginko have a favorite person – doctor Kurisu, but she is forced to leave him and return home in Tokyo. But here, she had all the same poverty. Parents again sell Ginkgo, this time to the north. There she first landlord was going to marry her, but interferes with his mother, who has decided not to allow this marriage, shameful for the honor of the house. He eventually marries another girl. Caught in a quandary, Ginko returns to Tokyo and the third time it becomes a geisha. Hard work, constant bullying Ginko adjusted to the disease. Mistress of her first promises to break a contract in which she serves as Ginko, but when Ginko finally recovers, the owner easily abandons his promises and demands that Ginko continued to work on it.

卿如野菊花，君若龍膽樹。一段少時初戀，兼具古典和自然美。老人(笠智眾)乘?搖櫓小舟，回到信州千曲川邊的故鄉。往事浮現在白底的橢圓形框內，如同觀看黑白舊照，秀麗中也暗示了封建家族的束縛。六十年前，政夫十五歲，寡母操勞成疾，比政夫大兩歲的表姊民子過來幫忙，與他感情要好。有天兩人分別出門，在田野遠遠看見，互相招手，最後聚頭，一起勞作，情意全歸平淡。母親因人言可畏，把政夫送去省城讀書，渡頭送別一場，如墨染山水，離愁盡在不言。政夫走後，民子也被迫嫁人。新人演技純樸，畫面間有日本和歌寄托哀思。Source: 29th HKIFF