元龙第九集

秦香莲（李再雯 饰）的丈夫陈世美（席宝昆 饰）进京赶考，哪知道他刚走没多久，老家就爆发了饥荒，在公婆都不幸遇难之后，秦香莲无奈之下只得带着孩子进京寻夫。在经历了千辛万苦抵达京城之后，秦香莲震惊的得知，陈世美高中状元之后并没有衣锦还乡，而是被召入宫中，成为了尊贵的驸马爷。愤怒的秦香莲闯入宫中找到了陈世美，哪知道这个负心的男人竟然假装不认识他们，还将他们赶出宫去。陈世美不仅抛弃了秦香莲，还找来了刺客想要将他们除之而后快。秦香莲向刺客哭诉了自己悲惨的经历，感动了前者，刺客留了他们一命。最终，秦香莲将状告到了铁面无私的包公面前，包公召来了陈世美，众人对簿公堂。

《来自深渊》第二季 烈日的黄金乡 Blu-ray&DVD 特典动画「与爸爸一起」PV链接：

瑞典密斯科汤尼克医学院，年轻的学生肯恩（Bruce Abbott 饰）和院长的女儿梅根（Barbara Crampton 饰）暗中相恋，两人相约在肯恩毕业后正式结婚。不久，天才医师赫伯特?韦斯特（Jeffrey Combs 饰）自澳大利亚归来。在澳期间，他曾与另一位科学家研究一种令死者复活的药物，但该药物的副作用是复活后的人皆丧失心智，失性狂乱，他的研究伙伴即在一场事故中丧生。韦斯特找到肯恩的公寓，希望与之合租。他始终不忘复活药物的研究，并争取到肯恩的帮助。然医学院院长却因韦斯特在澳洲的事故而禁止相关研究，最终酿成一起惨案。另一方面，与韦斯特针锋相对希尔教授（David Gale 饰）也觊觎着这项惊世研究……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.