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这孩子，干什么都爱干一半儿。端菜端一半儿跑了，晾衣服晾一般跑了，踢球儿踢一半儿跑了。有天一半儿来到一半儿乐园，从一半儿的滑梯上摔了，看了开一半儿屏的孔雀，被从一半儿笼子里跑出来的狮子老虎追，从一半儿摩天轮里摔下来。最后，一半儿改了他的坏毛病。

Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

百乐门酒店发生了杀人案件，死的是一名为魏蔓（陈宝莲 饰）的高级妓女。彭Sir（雷宇扬 饰）受理了案件成为了负责任，职业习惯让他敏感的察觉到，这并不是一宗普通的谋财害命的凶杀案。 彭Sir的好友阿平（张达明 饰）是一名私家侦探，他发现彭Sir的妻子红杏出墙在外面有了情人。这让彭Sir的心里五味杂陈，只能将全部的精力投入到工作之中以逃避现实。随着调查的深入，魏蔓的男友豪仔（朱永棠 饰）和警局作风不正的张Sir（黎耀祥 饰）成为了最有可能犯案的两名嫌疑人。可是，张Sir却告诉彭Sir，这起案件和警局内部的性交易秘密有着千丝万缕的关联，当彭Sir想要继续深入调查时，却遭到了百般阻拦。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.