魔道争锋

该电影讲述了父亲去世、靠收废品为生却坚持照顾入院母亲和叛逆妹妹的口吃青年偶然间接触到嘻哈，凭借对音乐的热爱谱写而出青春物语的故事。

警察和黑势力都很关注的顶级杀手，除了养他的宋仁(赵京焕饰)外没有人知道他的面孔，号称“终结者寿”的泰寿(池珍熙饰)，他活着的目的只有一个，那就是找到19年前失散的双胞胎弟弟泰镇。19年前，因为无法忍受饥饿，泰寿偷了贩毒组织的钱，结果他的弟弟被抓，从此失散。终于有一天，泰寿见到了弟弟泰镇，不过泰寿眼前的一幕却是泰镇被枪击当场死亡。无法抓到杀死弟弟的凶手，寿是决不会甘心的。于是泰寿假扮成弟弟泰镇开始调查杀死弟弟的凶手。在调查的过程中泰寿终得知19年前让他们兄弟俩分开的贩毒组织头目欧阳原(文成根饰)，寿开始了愤怒的报复……

《拼车》将冲突集中于网约车内的公共空间，在话语的交锋走火间，揭露出当代人亲密关系的不堪一角

"Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee."