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Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

外号“一把手”的武汉大叔，在新冠转阴后，再次和他的伙伴们相约去跳水的小故事。

《欲念游戏》讲述在2020年，一代叱咤智能科技领域的风云人物郭实（郭涛饰），在经历丧女之痛后决定远离尘嚣，终日与智能机器人相伴。但一次意外的发生，郭实莫名沦为“杀人逃犯”，并一步步落入对方所设的陷阱中。为证清白，郭实重拾“化蝶系统”，与爱徒飞凡（姜潮饰）和机械发烧友萌萌（张子枫饰）联手追查真凶。在探寻真相的过程中，郭实发现妻子宁雪（梅婷饰）和好兄弟老查（范伟饰）与此事有着千丝万缕的联系，但逐渐被视觉致幻的他开始难辨真假虚实，一场有关科技的烧脑战役呼之欲开。