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1984年，台北区国立高中联合招考结束，周儒林、陈敬等一批同学落榜。入不了国立高中，意味着失去进大学的机会。在望子成龙，光耀门庭，升学成为人生唯一价值标准的舆论压力下，周儒林和陈敬两人低头走路，轻声交谈，竟然没有勇气走完不到三百公尺的南阳街。最后，决定报名参加 “超仁补习班”。他们理成平顶头，穿上奇怪的制服，每天七时前到校。 补习班为了迎合学生父母的心理，在 “为了你好”的口实下，对学生们进行粗暴的管理。年轻的导师，以军队值星官的口吻教训学生，要他们记取联考失败的耻辱，在下一次联考时考取第一志愿。学习中，按军事化要求学生，打手板、罚站等体罚成了常事。周儒林和陈敬就这样日复一日地过着痛苦的日子。一天，陈敬告诉周儒林，他实在受不住这种压力了，决定随父母移居美国。自此，周儒林失去了好友，过着更加孤独凄苦的日子。影片有着七十年代末期学生问题电影的诸多特点，编剧吴念真很明显是受到了当年吴祥辉拒绝联考的英雄事迹所引发的社会问题大讨论的影响，开展的自身创作。影片有着浓厚的商业色彩，题材也在跟风前作以及迎合此时台湾电影所兴起的少年题材风潮，但剧本与剧情都尚算细腻，技术火候也算是上乘。除了获得了几项金马奖提名之外，影片于1985年获第二十二届金马奖最佳改编音乐奖 （张弘毅）。

辞去在美术馆的工作，在咖啡馆打工的主人公沙知，搬到常客推荐的公寓房间。虽然开始了新的生活，但沙知的心中还依然有着再也见不到的伴侣的身影

文慧（关之琳 饰）和未婚夫（仇云波 饰）都是知名律师，过着上流人的生活。某日，游龙（甄子丹 饰）来律师事务所办理离婚时目睹了一宗劫案，一大笔美金不翼而飞，另一个目击者就是他太太的律师文慧。由于误会，大伟和文慧被警察当作了劫匪通缉，另一边真正的劫匪也没拿到这笔巨款并怀疑是大伟和文慧二人私吞，也派人追杀他们。二人腹背受敌、百口莫辩，在逃难的过程中，文慧渐渐看清了未婚夫的真面目，同时对大伟另眼相看，真相终于揭开……谁是真正的幕后黑手？大伟和文慧能洗清自己并走到一起吗？《洗黑钱》由袁和平、甄子丹、袁祥仁、郭振锋共同完成动作设计，其动作场面被誉为香港动作影史的典范之作！

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.