沈昕睿

本片乃韓籍導演張一湖於1972年執導的功夫片，故事講述日本財閥小川(井淼 飾)，為謀奪燕姓所有之森林，收買燕家的內侄徐千(陳鳳鎮 飾)，盜取地契印章。後被燕老發覺，徐千竟將燕老痛毆致死。關甫凌有女月花(井莉 飾)，與燕家小主人子飛(凌雲 飾)，本有嫁娶之約，燕老死後，子飛雖愛月花，但鑑於其父與日人相勾結，國恨家仇，兒女私情無法兼顧，只得示意決絕……

故事发生在明朝年间，一桩血腥的灭门惨案震惊了京城，惨案中唯一幸存的是富翁周葵富（闵政 饰）的女儿采儿（王莎莎 饰）。临死之前，周葵富给了采儿一枚柳哨，让她投奔天下镖局的王振威（周群达 饰），希望王振威能够护送采儿回到山西老家，向家族长老们揭露事件的真相。原来，这一切的幕后黑手正是采儿的继母玉观音（孟广美 饰），她的所谓意在侵吞周葵富的全部财产。途中，采儿幸运的偶遇了亦要前往山西的王振威，采儿女扮男装，一老一少结伴而行。哪知道一路上危险不断，层出不穷的刺客纷纷将矛头指向了采儿。最终，两人顺利的抵达了目的地，没想到却落入了玉观音设下的又一个圈套之中。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

分段式恐怖片，包括《饥饿小乔》，《勿忘我草》，《血红之水》，《传送福音》