奔腾年代电视剧演员表

一次偶然中，西德尼（菲利浦·贝克·霍尔 Philip Baker Hall 饰）遇见了名为约翰（约翰·C·赖利 John C. Reilly 饰）的男子，他将穷困潦倒的约翰带到了赌场之中，教会了他赌术，希望约翰能够借此时来运转。在赌场，西德尼遇见了违反了赌场规定和客人进行肉体交易的女招待克莱门汀（格温妮丝·帕特洛 Gwyneth Paltrow 饰），哪知道克莱门汀和约翰一见面就坠入了情网，马上决定携手步入婚姻的殿堂。西德尼的朋友吉米（塞缪尔·杰克逊 Samuel L. Jackson 饰）找到了西德尼，他的手中握着一个属于西德尼的秘密。如今，吉米以这个秘密为筹码想要要挟和勒索西德尼，不料却惹上了杀身之祸。

漆黑的夜里，史密斯（克里夫?欧文 Clive Owen 饰）无意中被卷入了一场黑帮的追杀，穿越激烈的枪林弹雨，他解救了一个在襁褓中的婴儿。婴儿的啼哭，让这个功夫了得的铁汉遭遇了难言的尴尬。除了在超市购置婴儿用品之外，他还得解决婴儿的喂奶问题。这时，他想到了在妓院工作的朋友DQ（莫妮卡?贝鲁奇 Monica Bellucci 饰），并强行赶走了嫖客，把婴儿托付给她。DQ其实对史密斯怀有深情，却一直没有机会表白。在蜂拥而至的黑帮暴徒来临之际，两人终于坦诚相见，并肩作战，照顾婴儿。经过史密斯的调查，他们发现想要加害婴儿的黑帮其实跟军火商有关系，而且他们还雇佣了很多代孕妈妈。史密斯隐隐觉得这背后隐藏着一个不可告人的秘密，于是他决定铤而走险，一场正邪较量由此展开……

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

陆军学校学生胡伦廷与白乐德有莫逆之交，共怀报国之志。毕业后，伦廷任广东督办署卫队长。乐德留沪，与伦廷妹珠丽相恋订婚。数月后，乐德也赴广东任督办署要职。施督办系乐德之舅，其女洛华有男士风，与伦廷互相爱幕，两人曾在花园中联句填《一剪梅》词寄意。督办署军 警督察处处长刁利敖系某权势集团代表，垂涎洛华美色，久欲娶之。施督办权衡得失，亦有此意 ，但遭洛华反对。乐德抵粤后居于督署，竟也见异思迁，钟情洛华。伦廷、洛华以为乐德已与珠丽订婚，不疑有他，乃将施督办逼婚事托其转圈。乐德佯作应允，实则向施督办进谗，谎称伦廷 怂恿洛华私奔。伦廷被逐，流为盗首，以梅花作徽志，组织盗军，劫富济贫，自号一剪梅。珠丽 在沪得知兄长被逐，恐乐德受累，只身赴粤。时洛华已暂署卫队长职，命珠丽乔装男子充其副官。一日，洛华故约乐德出游，假以辞色，诱使其供出计陷伦廷隐秘。洛华斥乐德为卖友小人，乐 德恼羞成怒，欲施强暴，刁利放敖突飞骑至，斗败乐德，复追洛华，被一飞镖射杀坠马。洛华见 镖上有梅花标志，知是伦廷所为。一年以后，伦廷约洛华于梅花坞营寨相晤，洛华偕珠丽同往。 乐德率军前来缉捕，见珠丽、伦廷，终于天良复现，追悔不已。时施督办亦率军至，获知实情，收抚部众，恢复伦廷职务，并以洛华嫁之，复又促成乐德、珠丽结婚