可爱的你剧情

庙里的佛像塌了，需要三千元钱重新修葺，为了筹得这笔钱，和尚（李强 饰）先后来到了佛教科和文物科，然而两方人马只会相互推诿责任，看来谁也不打算掏出这笔钱来。无奈之下，和尚前去找在另一座庙中生活的师兄帮忙，可是师兄只是劝他放弃。之后，和尚决定靠化缘筹钱，哪知道没过多久竟然被警察抓进了派出所，出来后，和尚遇见了想要帮忙的妓女、企图哄女友开心的小伙子和一心想替妻子求药治病的丈夫，甚至当起了算命先生。最终，和尚卖掉了念珠总算筹齐了钱，当他满心欢喜的回到庙里之时，等待着他的，却是寺庙即将被拆的消息。

1948年，人民解放军进军辽南，国民党残匪炸毁孤鹰岭矿山大部分设备后，狼狈溃逃。当时，东北全境尚未解放，暗藏的土匪和特务不断制造各种事端，刚接手的矿区一片凄凉。指挥员焦昆（张文 饰）是矿工出身，他深知，要想恢复生产，就必须依靠广大群众，他发动护矿积极分子和出身贫苦的工人，抢修被敌人损坏的开矿设备，尽全力保障钢厂矿石供应。与此同时，阶级敌人也在加紧破坏活动，他们在矿工中制造谣言，盅惑不明真相的群众闹事，并在矿井下制造塌方事故，千方百计阻挠正常生产。矿长邵仁展（陆连明 饰）做事主观武断，听不得群众意见，他把所发生事故的责任全部推到焦昆身上......

在离圣诞节还有159天的时候，驴子（艾迪·墨菲 Eddie Murphy 配音）便三番五次突然出现，提醒史瑞克（迈克·梅尔斯 Mike Myers 配音）不要忘记这个重要节日。对于一个怪物来说，圣诞节似乎是个不可理喻的节日。但是菲奥娜（卡梅隆·迪亚茨 Cameron Diaz 配音）和三个小宝贝殷勤期待的目光迫使史瑞克史无前例地准备圣诞夜派对。他按照书本笨拙地装饰，在家人的帮助下，温暖的小家总算布置得有模有样。当史瑞克准备为孩子们将圣诞故事的时候，驴子、大坏狼（Aron Warner 配音）、三只小猪（Cody Cameron 配音）、姜饼人（康拉德·弗农 Conrad Vernon 配音）、靴猫（安东尼奥·班德拉斯 Antonio Banderas 配音）等好友不请自来，史瑞克的小家顿时变得热闹起来。然而，这似乎与史瑞克期盼的圣诞派对相去甚远……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.