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洛杉矶警察克莱因（乔什•哈奈特 Josh Hartnett 饰）在办案中惨遭羞辱，罪犯嗜血如命，喜欢肢解活人。克莱因身受重伤，仍侥幸活命，但心底留下阴影，被迫革职。3年后，一位中国富商委托克莱因帮忙寻找失踪儿子师涛（木村拓哉 Takuya Kimura 饰），他来到香港，接待他的是好友孟子（余文乐 Shawn Yue 饰），后者亦是警察。在警局，克莱因与师涛擦肩而过。随后，发生荒野命案，孟子怀疑此事为流浪汉（李灿森 饰）所为，两人急忙赶到现场。与此同时，黑帮头目苏东坡（李秉宪 Byung-hun Lee 饰）的情人莉莉（陈女燕溪 Tran Nu Yên-Khê 饰）被狂徒掳走，后者开车逃逸，也来到了荒野处，但被击毙。调查中，克莱因逐渐发现了莉莉、李秉宪、师涛之间的微妙关系……本片为越南导演陈英雄息影7年的回归之作，入选62届戛纳电影节竞赛单元。

Joey King饰演一名年轻的王室成员，爱刀剑胜过王冠，她必须从无情的雇佣兵手中拯救王国。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

动画工作室STUDIO PONOC制作、以奥运为主题的短篇动画电影《Tomorrow’s Leaves》制作完成，7月23日开始期间影院限定上映、面向全世界网络上线。详细上映与上线信息请看下文。本作以“地球上某个岛”为舞台，讲述了出生成长的地方、文化和语言都不同的孩子们，向长着作为和平证明的“明日之叶（Tomorrow's Leaves）”的“明日之树”出发的故事。在吉卜力工作室与高畑勋导演和宫崎骏导演一起活跃的百濑义行担任导演，《玛丽与魔女之花》的村松崇继负责音乐制作。