遮天影视剧

失落的一角遇见大圆满 爱情的态度一千个人眼里有一千个哈姆雷特。在我的眼里，这篇漫画讲的是如何对待爱情的态度问题。在很多人眼里，爱情是一种互补。就像有个传说里面讲的那样，人是被神分成了两半然后扔下凡间。所以人们都在各自寻找那个自己心目中的那另一半，以为这样一来，两个人在一起就可以拼成一个“完美”的人。漫画中的Missing Piece正是一直在不懈的寻觅着跟自己互补的那另外一块。结果是，有的太大，有的太小，有的太贪多，有的根本就不合适。直到一天，Missing Piece终于碰到了那个跟自己完全Match的一块，她以为这样一来他们就能够“永远幸福的生活在一起”了。但是她没料想到的是，每个人都是在变化的。当初不论如何的门当户对，随着时间的流逝，如果一方在变化，而另一方没有，那么这种完美的Match就必将会被破坏。于是，终于有一天，Missing Piece发现自己已经变大没法再跟她的另一半融合了，于是他们的结果只有分手。很偶然的一天，Missing Piece碰到了一个Big O。这个家伙儿很奇怪，因为他的身上哪儿都没少。他们开始聊天。Missing Piece问他，你需要我什么地方吗？但是Big O说，我不需要你。Missing Piece说，我喜欢你，我们应该是一块完整的才对。但是Big O说，可我并不缺少哪一块儿啊。Missing Piece很伤心，因为她以为她能跟他一起往前滚动的。Big O说，你为什么不自己试着往前滚动呢？Missing Piece没想到她自己一个人也能滚，但是她在Big O的鼓励下慢慢儿的艰难的往前滚起来。终于有一天，当她的棱角也被磨平以后，她也跟Big O一样成为完整的一个圆。于是他们一起幸福的往前滚动。其实爱情正是如此。不论两个人觉得如何的如漆似胶，其实说白了谁离开了谁都能够好好的活下去。所以不要寄希望于对方来让自己变得完整，也不要去为对方设计一个完美的目标让对方实现。因为一旦你们两个人的目标不一致或者是变化的快慢不同，结果就会是你们将不再般配。在我心目中，健康的爱情应该是两个人互相鼓励，但是又互相独立的一起前进。磨掉自己的棱角，改变自己的形状，最终实现自己的完整。这样一来，两个完整的O就能够一起，在时间的长轴上面，快乐的永远的滚动下去。--Beautiful, poetic, and philosophical…You will be amazed: how did the writer say so much with so few words! Actually, this is a cartoon book, but it’s a pity I can't put down any picture here. Here are only the words. How would your mind draw the pictures?The Missing Piece Meets the Big O (by Shel Silverstein)The missing piece sat alone…Waiting for someone to come along and take it somewhere.Some fit…but could not roll.Others could roll, but did not fit.One didn’t know a thing about fitting.And another didn’t know a thing about anything.One was too delicate. (Pop!)One put it on a pedestal…and let it there.Some had too many pieces missing.Some had too many pieces, period.It learned to hide from the hungry ones.More came.Some looked too closely.Others rolled right by without noticing.It tried to make itself more attractive…It didn’t help.It tried being flashy,but that just frightened away the shy ones.At last, one came along that fit just right.(They rolled along happily, for a while.)But all of a sudden…the missing piece began to grow!And grow!“I didn’t know you were going to grow.”“I didn’t know it either,” said the missing piece.“I’m looking for my missing piece, one that won’t increase.” (It leaves)BYE…SIGH…And then one day, one came along who looked different.“What do you want of me?” asked the missing piece.“Nothing.”“What do you need from me?”“Nothing.”“Who are you?” asked the missing piece.“I’m the big O,” said the big O.“I think you are the one I’ve been waiting for,” said the missing piece. “Maybe I am your missing piece.”“But I am not missing a piece,” said the big O. “There is no place you would fit.”“That’s too bad,” said the missing piece. “ I was hoping that perhaps I could roll with you…”作者：谢尔·希尔弗斯坦谢尔·希尔弗斯坦，Sheldon Alan Silverstein，诗人、插画家、剧作家、作曲家、乡村歌手。作为20世纪最伟大的绘本作家之一，他的绘本作品被翻译成30多种语言，全球销量超过1.8亿册。1974年《爱心树》的出版轰动文坛，一举奠定了谢尔在当代美国文学界的地位。在此后几十年，该书畅销不衰，累计销量超过550万。其他脍炙人口的作品还有：《失落的一角》、《失落的一角遇见大圆满》、《阁楼上的光》、《人行道的尽头》、《往上跌了一跤》等。其中《阁楼上的光》更是创记录地连续182周位居《纽约时报》排行榜。 他的绘本作品幽默温馨；简单朴实的插图、浅显的文字、淡淡的人生讽刺与生活哲学，不只吸引儿童，更掳获了大人们的心。他为电影《明信片的边缘》（Postcards from the edge）所作的歌曲I'm Checking Out获得1991年第63届奥斯卡最佳原创歌曲奖提名；《人行道的尽头》同名唱片还获得1984年格莱美奖。

高进（黎明）在同师父千王靳能（钟景辉）学过将近10年技艺后，熟练掌控一切千门技巧，加上与靳能的女儿靳轻（梁咏琪）情投意合，17岁的他可谓春风得意，为了与靳轻风风光光的成婚，他答应靳轻将事业推向高峰，决定参加在澳门举行的新一届“赌神大赛”。令他没想到的是自己会马失前蹄。高进大赛中被靳能出卖，虽因爱慕他的细七（袁咏仪）与好友龙五（陈小春）伸手相助得以侥幸保命，却也几乎成为废人。在细七的精心照料下，高进奇迹般痊愈，晓得了事情的真相，同时发现多年前父亲死的真正原因，新仇加旧恨促使他振作，决意与师兄高傲（吴镇宇）及靳能在赌桌上再战生死，取回属于自己的东西。

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

和妻子感情破裂后，报社撰稿人菲利克斯（杰克·莱蒙 Jack Lemmon 饰）被赶出了家门，无奈之下，他只得暂时搬到朋友奥斯卡（沃尔特·马修 Walter Matthau 饰）的住处，和这个相识多年的好伙伴成为了室友。奥斯卡和菲利克斯的性格简直是冰火两重天，前者作风古怪个性孤僻常常将家里弄得一团糟，而后者却是个喜欢清洁和烹饪的好好先生。虽然“同居”中的两人常常因为一些小事拌嘴，但他们的生活都因为对方的存在而有了一丝的生机，隔壁住的一对来自英国的姐妹花更是给予了他们无尽的幻想。在奥斯卡的极力反对下，菲利克斯还是将两姐妹邀请到家中做客，没想到四人相处的不错，当事态向着理想的方向发展时，奥斯卡却打死也不肯继续了，抓狂的菲利克斯大发雷霆，这对好友之间的友情岌岌可危。