23号牛奶唐

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

协议离婚的夫妻，为了彻底遗忘对方，决定进行删除记忆的脑皮质手术。在医院咨询的过程中，他们一一检视婚姻关系里的疑点、盲区、痛点。忘记眼神，忘记脸庞，忘记身体都不难，只怕忘了想忘记的决心。手术前夕，一场意外打乱了两人的计划……宛如台版《王牌冤家》，夏于乔、黄健玮精湛诠释一幅都市男女的爱恨风情画，在所有关于你的记忆迷宫里，一再失而复得、得而复失。

六合门门主关无尘，乃武林正义之士，为除武林大害，率领同门师弟六人围剿密族门閰震天一伙。閰震天等不敌负伤逃去。二十年后，閰震天重回武林，誓师追剿六合门人马，以了早年大恨。查实六合门人马经早年硬并密族门一役已元气尽伤，隐居西藏。今回閰震天重新挑衅，唯有倾尽各人武功，训练少主楚华之，令其腿、眼、臂、腰及轻功都能超越各长辈，与恶魔再作生死决。

和也的意外身亡，让曾经远离棒球的上杉达也（三ツ矢雄二 配音）以极其辉煌和充满忧伤的姿态回归赛场。弟弟的死亡留给生者无数感伤，却似乎也为达也与浅仓南（日高のり子 配音）的恋情提供了更多可能。在此之后，达也加入明青学园棒球部，展开通往甲子园的征程，小南则接受校方安排加入艺术体操部，并且迅速成为一名明星选手。炎炎夏日，二人为和也扫墓，邂逅了视和也为毕生宿敌的新田明男（井上和彦 饰）。新田感慨和也的早夭，并向达也发起挑战。他所追逐的不只是赛场上的胜利，还有令他一见倾心的小南……本片根据漫画家安达充的同名原作改编，是该系列动画的第二部剧场版。