808影视

该片为中国最早的长故事片之一，也是但杜宇创办的上海影戏公司的第一部影片。故事写一个名叫福珠的女子，和穷画师周选青相爱，两人订立了婚约，并盟誓如将来负约，当蹈海而死。后来，福珠被有钱的表兄诱惑，竟负前约与表兄结婚。当他们在教堂举行婚礼之时，福珠忽然天良发现，逃离了教堂去找画师，周选青拒绝了她，于是她跑去投海自杀，幸而画师前去相救，最后两人终成佳偶。但杜宇在拍这部片前曾试拍新闻片，从中自学摸索摄影技术，而后同朋友和家人创办上海影戏公司。拍摄影片《海誓》时，为了掌握摄影技术，也曾花费了不少功人，从编导到摄影、洗印，全由他一人担任，影片在上海闸北搭设露天布景，前后拍摄了近一年时间。但杜宇在影片拍摄中追求形式的美，从当时的西方影片中学习摹仿一些手法和技巧，但主要还是以当时流行的文明戏演出原则为结构基础，因此影片在形式上、表演上都带有很重的舞台味。另外，影片的内容以及场景设计等方面。都带有很浓的西方色彩，如人物的服饰、生活方式、布景道具均为西式，而字幕却全部是用文言文写成，这使影片呈现出一种个中不西、杂乱混合的特点。它反映了在中国半封建半殖民地文化的背景下中国早期电影的特点。

根据美国作家楚曼卡波堤著名的报告文学拍摄而成。导演采取黑白纪录片式的纪实手法，忠实地观察可以说是一个极其详尽和细腻的犯罪个案纪录。两名冷血罪犯如何在一个堪萨斯州的农家犯下冷血的灭门血案，直到两人被警方逮捕直至处刑。

4月15日放映の「名探偵コナン 本庁の刑事恋物語～結婚前夜～」は、同日に封切られる劇場版最新作「名探偵コナン ハロウィンの花嫁」で活躍する高木渉、佐藤美和子にスポットが当てられたもの。最新作につながる2人の恋の遍歴が楽しめる。

IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .