秘汤めぐり

The Ideon: A Contact is a compilation movie of the first thirty-two episodes of Space Runaway Ideon. It was released alongside its sequel, The Ideon: Be Invoked, on a double bill in 1982.Synopsis: A Buff Clan ship, under the command of Gije Zaral, DS-outs near the Earthling colony of Solo. It is on a mission to look for the legendary Ide, a source of infinite energy.

硕英（李秉宪 饰）甚受女性欢迎，却为了寻找初恋情人静因（秀爱 饰）到电视台寻求帮助。这件事引起了记者洙真（李世恩 饰）与制片央宿（柳海真 饰）的注意，他们想发掘事情的真相。接着两人便开始寻找硕英与静因的过去，当线索越来越多，他们便发现了一段不平常的爱情故事。原来，硕英在1969年参加了到农村参加劳动的大学生活动，他不介意同伴们称呼他懒骨头，依旧游手好闲。一天，他遇到了失去父母的静因，更对静因一见钟情。他被静因坚强的个性深深吸引，静因也逐渐向他敞开了心扉。两人都十分享受爱情带来的甜蜜，可是夏天不知不觉就要过去了，活动也将要结束了……

在某个孤独阴冷的夜晚，房屋的一角，汤姆蹲在收音机旁，正在听一段极其恐怖的故事。叙述者冰冷鬼魅的声调和恐怖战栗的剧情令他毛发直立，即使过着毯子也颤抖不止，关键时刻甚至从头到脚冻成了冰块。可即便如此，汤姆也丝毫没有停止的打算，他反而愈加沉浸在电台的故事之中。与此同时，小老鼠杰瑞偷偷从门缝里钻出来，他看到汤姆傻乎乎的样子心中觉得分外好笑，而各种鬼主意在他的脑瓜里酝酿出来。杰瑞先是用百叶窗弄出声响，随后将暖气中的热蒸汽喷出来，吓得汤姆不知该躲在哪里好。在此之后，杰瑞又用吸尘器假冒鬼魂吓唬汤姆。对于汤姆来说，这真是一个恐怖而漫长的夜晚……

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.