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1940年，日本一方面深陷中国战场，另一方面与英美等国关系日益紧张。居住在东京的野上一家本来过着平静而幸福的生活。只是在这战争年代，幸福是多么奢侈和脆弱的一件事。身为进步作家的一家之长野上滋（坂东三津五郎 饰）因左倾思想被当局以妨害治安维持法的罪名逮捕，不久即受迫害致死。妻子佳代（吉永小百合 饰）强忍悲痛，坚强地抚养一双女儿初子（志田未来 饰）与照美（佐藤未来 饰）。他用自己一生的幸福和无私的母爱，护佑着孩子们健康成长……本片根据黑泽明生前的御用场记野上照代所创作的自传体小说《给父亲的安魂曲》改编。

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

When a single father to a teenage daughter learns that he has a fatal brain tumor, he takes her on a road trip to find the mother who abandoned her years before and to try to teach her everything she might need over the rest of her life.

得知古典音乐指挥大师卡拉扬要来上海演出，向来跟风的大龙（郑大圣 饰）、芳芳（陈忆 饰）、小欢（姚二嘎 饰）和阿亮（桑伟 饰）心喜若狂，四处托人搞门票，结果无功而返。眼看音乐会临近，他们想出一个近乎疯狂的主意：绑架卡拉扬。在大龙的策划下，他们自制行动时使用的烟雾弹，不料弄错配方，洋相百出，邻人叫苦不迭。一对警察夫妇因看房敲门，四人张慌失措，以为行动败露，人人冒出一身冷汗。惊魂稍定，他们决心按计划行事，四人做了分工，大龙全权指挥，芳芳冒充献花的礼仪小姐，阿亮冒充记者，而小欢则负责上传下达。音乐会如期举办，四人刚到现场就傻了眼......