三十而已资源

全国大赛开幕在即，渴望一鸣惊人的樱木花道却因为底子太薄，连续三次被赶出球场，且一分未得。即使在晴朗明媚的日子里，樱木的心情也超级差，连续对他的死党和任何挡在面前找麻烦的人使出头槌。他希望私下里请木暮帮他集训，又不愿让大猩猩知道。当他和伙伴们路过某个球场时，刚好看到赤木晴 子在这里练习投球。就在此时，一台机车飞驰冲入球场，头戴安全帽的骑手腾空而起，绝杀灌篮。此人是津久武高中篮球部一年级新生南乡桄一郎，他不仅对樱木的头槌无动于衷，更具有令众人无法轻视的实力。接下来一场，湘北篮球队遇上了强劲对手津久武……本片根据井上雄彦的同名漫画改编，为该动画的第二部剧场版。

在一家咖啡馆内，当抽着一整包烟时，一个男人提出了一个雄心勃勃的问题。"什么是爱？"。一系列的小插曲和情况将引导这个男人达到预期的结论。

记者珍妮·埃利斯和导演艾琳·李·卡尔通过独家采访和机密证据调查布兰妮·斯皮尔斯争取自由的斗争。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)