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供职于某大公司的OL高见泽花土（加山麗子 饰）温柔美丽，她与已婚的上司三原修三（宇南山宏 饰）长期保持着不伦关系。每个星期五的晚上，是他们例行约会和温存的日子。花土明知对方无法给她幸福，却沉沦其中无法自拔。又到一个星期五，三原因为要给女儿庆生，因此撇下花土回到自己家中。晚餐过后，三原的妻子幸子（岡本麗 饰）接到一通神秘电话，对方将三原有外遇的秘密告诉了她。虽然幸子不事声张，但三原心中忐忑，决定结束这段不伦之恋；而心中遭受巨大打击的幸子，也开始放纵压抑许久的情绪。原本便已复杂的情爱关系，却又有人搅入其中……本片根据阿部牧郎原作改编。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

WeWork: or the Making and Breaking of a Billion Unicorn explores the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann.

福建巡抚张师诚十分赏识林则徐（高占非 饰）的为人，将他留在府中，张师诚的女儿静娴（陈云裳 饰）对林则徐芳心暗许，发誓此生非林则徐不嫁。之后，林则徐因为和张师诚理念不合而离开了张家，之后被县令郑大谟诏安。在此过程中，林则徐和郑大谟的女儿玉屏（袁美云 饰）相爱了，两人携手步入了婚姻的殿堂，这让静娴感到十分的难过。张师诚染上了鸦片之瘾，导致张家家道中落，静娴眼看着父亲无可救药同时又感情受挫，索性遁入空门，潜心研制能够帮人戒除烟瘾的药方。徐幼年同窗潘达年（王引 饰）也染上了烟瘾，由此结识了劝诫世人远离鸦片的歌女凤姑（李香兰 饰）。