神父有难

张冠李戴，让你笑爆肚这是一部由温拿五虎联合主演的疯狂大喜剧，情节热闹！内容是环绕阿伦这个酒店待应生的遭遇而发生，酒店老板限期各董事们找寻他那从小失散的儿子，继承他的事业，董事们为了保住职位，不惜以相貌与老板相似的阿伦顶包，闹出笑话连篇，其间阿伦又邂逅了抱错别人婴儿的少女秀真，令事件搅得越来越复杂……

猎人一家三口在森林里避世隐居，受到一只野狼的威胁。在搜捕这只狼的过程中，他们遭遇到了更为险恶的生物，一个专门残害女性的连环杀手.....

大野康臣（成田凌 饰）在一家补习班教课，拥有英俊外表和高超智商的他虽然非常容易获得旁人的好感，但因为其一根筋的头脑和几乎为零的情商，大野的恋爱经历也是零。每一次和女孩子约会都会以失败告终，即便是这样，大野也依然对于恋爱和婚姻怀揣着憧憬，并且不知道自己的问题究竟出在哪里，直到有一天，一个名叫秋本香住（清原果耶 饰）的学生指出了大野的症结所在——他根本就不会谈恋爱。那么，要怎样才能够变得擅长恋爱呢？大野向唯一可以依赖的秋本发出了求救信号，虽然秋本对于恋爱的理论知识非常的充沛，但实际上她的恋爱经历也是零，于是，两个恋爱菜鸟开始了对于爱的求证。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.