龙珠超

《线》是一部关于爱，关于恋物，关于孤独的短片。如果你有一个自己都感到羞耻的癖好，你会告诉你的爱人么？

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

由特洛伊．肯尼迪．马丁编剧的本片描述二次世界大战期间，五名别具用心的大兵率领一队美军开坦克冲破德军防线，到敌后的银行抢劫一批价值一千多万的金子。导演布莱恩．G．赫顿企图以喜剧方式拍摄战争冒险片，但效果不甚理想。不过几位主角均有鲜明个性，演出不错，尤其克林特．伊斯特伍德的表演更是受观众好评，加上故事情节异想天开，故本片仍维持了一定的娱乐性。

成为医生后的「影山」，某次跟黑道老大「矢代」会面时，邂逅了刚从感化院出来、有「狂犬」之称的小混混「久我」；又因为某些原因，久我被塞给影山收留。然而影山有个不为人知的性癖，就是会对烫伤的痕迹痴迷不已。当两人展开同居生活，面对满身伤痕的久我，对他主动亲密接触的同时，影山是否将会情陷于久我的诱惑当中？