同涩网 限制分级

犯罪学学生克洛伊假死闯入停尸房，以找回一份证据，证明她弟弟与一起犯罪有关。一旦进入，她很快就知道，可怕的验尸官利用停尸房作为病态和扭曲业务的掩护。随着一场可怕的猫捉老鼠游戏的进行，伊莎贝尔会发现停尸房最可怕的不是死人，而是活人。

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

男孩晓林惊恐地藏在桌子下窥视父母激烈的争吵，他努力回想起一个夏日午后的美好景象来逃避眼前的可怕场面，然而这段记忆注定会成为他挥之不去的心结……

当朝宰相之子梁玉书与绝代佳人谢云霞偶然游春相遇，两人一见倾心。玉书托师兄刘仁元作媒，云霞得知玉书乃是害死亲生父母的奸臣梁如龙之子，为报父仇，假允婚姻，借口守孝三年不得同房，忠厚多情的梁玉书信以为真，至诚相待。中秋夜玉书婉言“盘妻”，勾起云霞思父之愤，独自回房，怒骂梁如龙一家，恰巧被玉书听见，才恍然大悟，恨父作恶，同情云霞，夫妻和好，相亲相爱。梁如龙催子赴考，玉书严命难违，把谢云霞送回刘家，赴考中状元。梁如龙为了独霸朝庭，高攀皇亲，逼子休妻，再招平阳郡主。玉书爱妻心诚，毅然弃官出走。玉书后娘梁孙氏，早疑谢是仇人之女，诱骗回府，欲加其害，被好心丫头荷香放走。玉书回府，不见云霞，悲痛欲绝，到处“索妻”，最后在刘仁元处夫妻相逢皆大欢喜。