三步杀人曲

这部作品不是动画片，而是高畑勲和宫崎骏合作为环保问题而拍摄的纪录片，曾获得每日映画文化纪录电影奖。福冈县柳川市是日本有名的观光场所，有无数小河在城市中穿流而过。但近年来随着环境污染的加剧，很多小河都变成了死水，柳川的美丽风光正在渐渐逝去。为挽救这座观光城市，柳川市政府制定了疏通河道，限制排污和增加污水净化设施，以及强化管理体制、鼓励市民参加清扫活动的3点对策。为配合这一计划的实施，提高人们对于公害问题的认识，高畑勲和宫崎骏合作制作了这部纪录片，以柳川优美的风光配以动听的音乐，向人们讲述了这座水城的历史，呼吁大家来维护风景名胜。本片虽然是纪录片，但仍然延续了高畑勲作品温馨舒缓的一贯特色，值得一看。

高校女生庆敏死去，好友迎熙是最后一个陪在她身旁的人。事件发生后，警探、师长、同学、死者父母，所有人都围绕在迎熙身旁，希望问出一点蛛丝马迹。谜团始终无法釐清，累积在当事人周遭的压力氛围却已经逐渐脱离掌控，真相揭晓前，接二连三的悲剧性衝击将接连爆发！韩国新锐导演金宜奭首部剧情长片，以灰暗沉重的电影调性，对比女高中生灿烂明亮的校园生活，实则潜藏崩坏危机。官僚粉饰太平、舆论盲目猎巫，作品锐利透视悲剧底下的複杂结构。深层黑暗的尽头，扩散著密不透光的绝望。新人演员全汝彬演技出色、爆发力十足。

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

A decade after abruptly breaking up with Naomi, Kris invites her to dinner to catch-up on their complicated lives, relationships, and Kris’ transition.