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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

巍巍大秦，一统中原。然而好景不长，秦王朝以暴政治国，致令黎民百姓、公侯王卿噤若寒蝉，心生怨恨。最终义军并起，蚕食大秦江山。时有刘邦（黎明 饰）、项羽（冯绍峰 饰）两大英雄豪杰，引得樊哙（陈小春 饰）、张良（张涵予 饰）、范增（黄秋生 饰）、萧何（修庆 饰）等无数热血男儿和雄韬谋士来伏。楚怀王心知二人胸怀野心，难以控制，于是求得离间之计，与二人约定先入咸阳者可成王。在此之后，刘邦奇谋入住咸阳，最终导致刘项这对惺惺相惜的昔日盟友决裂。秦朝灭亡，随即拉开楚汉之争的大幕，上演了鸿门宴和霸王别姬的千古英雄传奇……

1937年12月13日，时为国民政府首都的南京城沦陷，部分官员弃城逃亡，但仍有许多官兵留守，誓死保卫这个大厦将倾的城池。宋锡濂部军官陆剑雄（刘烨 饰）协同战友与日军展开了激烈的巷战，他们微弱而顽强的抵抗最终被压制，数以万计的中国军民成为俘虏，在枪炮声中血染长江；金陵女子学院安全区，女教师姜淑云（高圆圆 饰）奔波往复，尽力帮助和拯救所有来此避难的同胞，但兽性大发的日军早已虎视眈眈盯上了藏身于此的妇女；拉贝的秘书唐先生（范伟 饰）小心应付，委曲求全，为了保护家人而做出错误的选择，他也为此付出代价；舞女小江（江一燕 饰）纵使逃亡避难也不愿抛却女性的柔媚，她在关键时刻的选择则在其女性的外壳下注入一份刚强；日本人角川（中泉英雄 饰）随部队进驻这个千疮百孔、破败不堪的城池，在这个人间炼狱，他的心灵感受到前所未有的巨大冲击。狼烟滚滚，血流成河，大时代的背景下，人们既要承受时代的无情给予，也要做出攸关命运的痛苦抉择……

剧本改编自伊恩·里德同名小说，小说审视了心灵的脆弱和孤独的极限。杰克原本带女友回家见父母，女友一路却在想着“结束这一切”，在杰克改变原定路线后，一切都朝着失控方向发展。