加油吧乔麦

香港七十年代初期，当时还没有成立廉政公署，贪污情况泛滥成灾，民不聊生。警局沙展王一冲（狄龙 饰）为人正直不阿，不肯同流合污，因此而不容于其他同僚，在警局受到排挤。在一次行动中，王一冲的手下莫森（任达华 饰）甚至从背后开枪将他打成重伤。与此同时，港督麦理浩委派百里渠爵士调查香港的贪污情况，其助手马安妮找王一冲帮忙。经过调查，王一冲了解到莫森击伤自己也是出于无奈，莫森其实为势所逼，于是找到了莫森并在警校中挑选了一批精英学员，共同开始搜集贪污集团证据，打响香港廉政第一击！

大卫的爷爷在过81岁生日时许下了一个心愿，愿自己能重返18岁。一次，爷孙俩在车上嬉戏出了车祸，结果爷孙俩的年龄互换了，老人成了大卫，并到大学里重新体验了年轻人的生活。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

解放前的旧上海，大资本家、军阀、投机商人、洋人、流氓、骗子横行于世，他们过着养尊处优、挥金如土的腐败日子，而底层人民则穷苦不堪，生活艰辛。大头、圆鼻子、三根头发、瘦小身材，这个外貌滑稽的男孩就是本片的主人公三毛（王龙基 饰）。三毛自幼失去父母，无依无靠的他终日在上海街头流浪，身无分文的他饿极了甚至吃刷广告的浆糊，困了就睡在垃圾车里。为了生存他送报纸、推黄包车、捡烟头，然而霉运却总尾随其后，所有的事都以失败告终。他好心做善事，反遭到诬陷和殴打。不过，生活在黑暗底层的三毛始终保持着诚实善良的性格，他从不愿为一口饭而沦为他人做恶的工具……本片根据著名漫画家张乐平同名连环画改编。