蝙蝠侠:煤气灯下的哥谭

不得志的日本画家岛村（池部良 饰）在全国各地游历，途中经过一个名为雪国的地方。在当地的温泉旅馆，他邂逅了19岁的三味线女艺人驹子（岸惠子 饰）。驹子美丽清纯，俏皮可爱。岛村感于这个女孩的纯洁，虽心有爱慕，却始终不愿玷污这块美玉。在离开雪国返回东京的前夕，这两个互相欣赏却身份悬殊的人终于摆脱束缚，结合在一起。次年，思念驹子的岛村回到雪国，此时的驹子为了报答三味线老师的养育之恩，而甘愿成为艺妓赚钱为老师的儿子行男治病。一同照顾行男的少女叶子（八千草薰 饰）爱慕行男，她嫉恨驹子在未婚夫行男和恩客岛村之间的摇摆不定。当然，这也令岛村心中骤起波澜。两人第二次的相会便在尴尬的气氛中结束，他们的爱情终将何去何从……本片根据日本作家川端康成同名中篇小说改编。

This film is about haunting memories of Asia's late 20th-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the "Communist Hair Ban". Yet, in every wig resides a ghost from the imperial past.Wigs were vital for the rise of the Asian economy in the post-war era. In the heyday of the 1960s, it was the number four export in Hong Kong's export-orientated industrialization. Between Mao's China - the largest source of hair supplies, and the insatiable Western market, Hong Kong functioned as the gateway. In 1965, U.S. Treasury Department imposed an embargo on "Asiatic hair", to cut off foreign currency to Communist China in the hair trade. The highly racialized category of "Asiatic hair" was later revised as "communist hair", to enable the wig industry to develop in U.S. allies including mainly South Korea and Japan, which led to a significant reconfiguration of light industry in East Asia. Departing from the moment of the communist hair ban, through stories of movement, diaspora and migration, this project examines the role of Hong Kong as a transient space that mediates and sanitizes the connection between different worlds, and the relationship between U.S. Imperialism and East Asia order in the Cold War era.Produced by: Ruoyao Jane YaoDirector of Photography: Yavuz Selim IslerCameraman (Hong Kong): Fai WanSound Recording: Franco van der LindeCasting Director: Sai-wang LauMakeup: Ika KartikaColor Grading: Bob LemmVoice-over:Jia Zhao, Hamza Junaid, Tommy TseCast:Zoenie Liwen Deng, Ruoyao Jane Yao, Zoe Tang, Michael de Ross, Sidney Vereycken, Sai-wang Lau, Jo-Lene OngProduced by:Geodesic Studio, Vines FilmsThanks toWAAG Society, Amsterdam16mm Film Transfer and ScanningAndec Filmtechnik, Berlin

《怪物》描述邓育凯饰演的好学生长期被班上风云人物三人组作弄，某天四个人意外发现吃人的人形小怪物，进而延伸出“霸凌”议题，此主题也是九把刀十多年前看完瑞典电影《邪恶》受到启发后，一直想探讨的主题。原本他想以1500万台币低成本拍成“霸凌伪纪录片”，后期转变成剧情特效片，不但在中影搭棚，也特地在西门钉封街拍动作戏，制作费提高到一亿台币，大部份成本投入特效制作。九把刀透露，原本电影设定走写实暴力路线，但自己和素人演员无法掌握，最后决定做自己走回黑色幽默风格。

一场严重的车祸，让见习警察闵秀儿（金荷娜 饰）身负重伤，双目失明。她不仅因此失去做警察的机会，也与最亲的弟弟阴阳两隔。许是视觉器官的失灵刺激了其他器官的活跃，加上缜密的思维和判断力，秀儿能够觉察多许多正常人忽视的细节。在一次暴雨夜归途中，她自认为打上一辆模范出租车。谁知司机欲行不轨，两相推搡之时更发生车祸撞到一个路人。秀儿最终逃脱，并向警方报案，最终只有其貌不扬的赵警官相信她的判断力，于是和她一同调查肇事者。另一方面，时尚青年基夔（俞承浩 饰）声称曾目击车祸过程，但是他的陈述与秀儿多有不同，自然不被赵警官采信。然而，秀儿和基夔早已成为凶手意图灭口的对象，他们的生命危在旦夕……