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四○年代，中国正处于国共相争的内战动盪局面，故事是关于一位生长于农村家庭的女人梅珍(金素梅饰)。梅珍的丈夫被迫在共产党内服役，而父亲死后，她寄居于一处由外国领事资助的教堂中，过着难民般的刻苦生活。 在战乱中，领事决定撤走妇嬬，梅珍几经艰辛，得到一纸避难的船票，但却因为她没有身份証明文件而处处受到阻难，梅珍的未来，就像晦暗不明的天候一样，还有多少的考验在等待着她？ 本片由刘家昌导演，狄龙、金素梅主演，荣获美国圣地牙哥影展最佳影片、最佳导演、最佳女主角、最佳男配角、最佳音乐、最佳主题曲等多项大奖，是一部经典动人之作。

Six cartoon heads grow ill, and then vomit.六人患病，又名《六个苍白的人影》。讲述六个卡通人头得病了，并且开始呕吐。

Through stories and photographs, many never widely seen before, Give Peace a Chance will offer a chance to sit on the edge of the Bed-In, Suite 1742 at the Queen Elizabeth Hotel in Montreal between May 26 and June 2, 1969.John Lennon and Yoko Ono used their bed as a way to put themselves and their message in the center of a searing spotlight, demonstrating through their vulnerability and openness their unrelenting support for their beliefs. No celebrity couple had ever used their bed as a place of protest, nor had anyone before been so available in person and by telephone to the world.“We’re going to sell peace the way other people sell soap,” Lennon said to a young, accomplished photographer on assignment for Life magazine, Gerry Deiter. Deiter was our eyes in that hotel room, the only photographer there for the entire eight days of the bed-in. He was determined to capture the essence of the scene--in particular the love between the newlyweds in many intimate moments. He also candidly caught the famous people who dropped in: Timothy Leary, Tommy Smothers, Dick Gregory, Al Capp, Murray the K and others.

An elegiac ode to a loner who finds it difficult to fit in and the inevitable eruption of his frustration, Isolation of 1/880000 tells the story of Takemitsu, a disabled young man caught in the “examination hell” of trying to get into one of Japan’s top universities. Director Sogo Ishii (now renamed as Gakuryu Ishii) was the original 8mm punk, whose works expressed unhinged energy and made speed, intensity and rebellion their stylistic and thematic center, carrying over into his later 16mm and 35mm films such as Crazy Thunder Road and Crazy Family. In contrast, Isolation prefigures the more ethereal aesthetic of his big budget 1990s films.