少女时代和危险少年们

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

16岁的少女悦琳因为失眠经常服用安眠药，时常感到劳累，却始终不能安眠。两年前，悦琳的双亲在一次交通事故中双双身亡，为了抚养唯一的弟弟，她不得不开始援助交际。之前，悦琳曾经有一个英俊的男友，时常约会，生活看起来平静安稳，但如今所有的生活重担和压力都落在了这个16岁女孩的纤细肩头……生活的苦涩使悦琳的睡眠看起来像是一种奢侈……

沉船老人的孙女陆小希自小身中毒蛊，多年前，沉船为了救孙女的命违背祖训去到太阿剑冢，没能为孙女取到解药反而命丧波诡云谲的卧龙诡阵。陆小希通过药养保命逐渐长大，却挡不住毒渐入骨髓，抚养她长大的德叔一直寻找开启诡阵方法。一心想要得到太阿剑的少帅暗中调查，得知沉船一族与太阿剑冢的渊源，胁迫陆小希与德叔帮自己取剑。为找到解开诡阵的异禀之人，少帅假借陆小希之名张榜比武招亲，机缘巧合之下，陈奇揭榜赢得比武，他不知道，从他揭榜的一刻，就注定卷入了一场惊险之旅。

故事讲述，rob自从妈妈Caroline因病去世以后，12岁的Rob Horton就随着父亲Robert搬到了佛罗里达北部的一个小镇上生活。他们住在一个名叫“Kentucky Star”的汽车旅馆中，父亲Robert靠给汽车旅馆的老板Beauchamp打零工谋生。初来乍到，rob在学校也受到排挤，这一天，Rob穿过潮湿的森林去赶校车，无意中发现了一只被关在笼子里的大老虎，rob把这件事情告诉给了新朋友sistine,rob在sistine的劝说下，决定要帮困在笼子里的老虎重获自由，两人根据计划，最终将老虎拯救了出来，可一件又一件意想不到的事情接踵而来。