啊朋友还钱

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

夜幕降临，寂静的社区内，一所大房子里传来了吵闹声。原来汤姆正在追赶小老鼠杰瑞，结果打破了许多器皿，令女主人非常生气。主人责令他打扫碎片，汤姆虽然心又不满，可还是气鼓鼓地打扫起来。这时，桌子上一份报纸的招募启事引起了他的兴趣。启事写道寻找一个志愿者和老妇人环游世界。对汤姆来说，这可真是一个摆脱现有枯燥生活的好机会。他扔掉手中的扫帚和簸箕，夹着报纸前去应聘。谁知，应聘的地点竟然是一桩破烂阴森的古堡，而所谓的老妇人竟然是一名长相丑陋的巫婆。虽然想转身逃跑，可是老巫婆根本不容他拒绝，便带着汤姆飞上了天空……

胡冠珍(白曉芙)、雲中岳(顧飛凡)、楊翠弦(紀訪平)、呂琇菱(紀訪竹)、楊惠珊(鄧微珊)、仲倫(劉楠)、葛香亭、劉延方、孫曉威、高登祿、朱慧珍、曹健、傅碧輝、李偉

男主角原田是一位失婚的戏剧作家，双亲早在廿八年前一宗车祸中丧生。一天，原田在浅草重遇父母的鬼魂。为了回味昔日的亲情，他不断前去看望，同时身体也变得越来越虚弱......另一边厢，原田新结识的女友阿系也似乎有着一段不为人知的过去......《幽异仲夏》为1988年“山本周五郎赏”的得奖小说，日本名作家山田太一原著，由新浪潮导演大林宣彦搬上银幕。故事弥漫着幽异世界诡异氛围，同时充满令人动容的感情。荣获“电影旬报”年度，十大电影第三位，第43回每日映画，最佳导演及女配角奖，第31回蓝带奖，最佳男、女配角奖。