悬崖分集剧情

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

贫穷加上乌脚病让他们活的很无奈，他们不怪谁，只怪自己的命。大不了就是把手砍掉，把脚锯掉就不痛了。 邱水龙是典型的写照，在十几年前就因为乌脚病锯掉了一只脚，另一只脚又黑了一大块，锯掉也是迟早的事。早年儿子出海被大海吞噬，媳妇(桃花仔)浪迹他乡，跳脱衣舞维生，留下天资较差的孙子(阿钟仔)两人相依为命。憨厚的阿钟仔到学校最快乐的事，就是把水沟和厕所打扫的乾乾净净，但是还是受到校长老师的鄙视冷落……

失聪少年张诚准备转到启聪学校就读。聋人的世界，却不比听人的世界宁静。当他发现校车最后一排的「游戏」，融入新生活的欣喜之情，瞬间成为恐惧⋯⋯。眼见心仪的女孩贝贝在游戏中遍体鳞伤、学长小光气势狂妄不可质疑，一群同学们又天真无害，张诚忖度着是否该揭开游戏的残忍真相，或加入游戏的行列？当加害者与受害者的界线越趋模糊，盘根错节的苦痛、无可倾诉的怨怼，种种困惑与不安在无声的校园蔓延。新锐导演柯贞年的首部长片大胆将真实事件搬上银幕，在直面残酷的同时，不失温柔的眼光。犀利刻画人物之间复杂与纠结的情感，呈现声嘶力竭却仍仿若无声的残忍。贝贝一句「他们只是在玩」轻描淡写，却惊悚、沉痛，更是真实无比的哀叹。