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2024年，朝鲜半岛局势发生重大变化。为了抵制美、俄、中、日四国的压力，朝鲜与韩国决定统一。然而，韩国国内反对统一的呼声甚嚣尘上，怀有不同政治目的的“党派”则在乱象中起到推波助澜的作用。为此，韩国政府组建了全新的警察组织特殊机动队以镇压动乱，结果导致了果川走火事件。从此以后，特殊机动队遭到民众乃至部分政客的憎恶，而公安部更试图伺机解散特殊部队。2029年，在最近一次行动中受伤的特殊部队成员林钟景（姜栋元 饰），在昔日战友而今成为公安部干部韩尚宇（金武烈 饰）的安排下，与果川事件遇害女孩的姐姐李允熙（韩孝周 饰）会面。谁知，这却是一场攸关林钟景以及整个特殊部队命运的圈套……本片根据押井守的同名动画改编。

When his daughter is brutally murdered and legal justice looks unlikely, William Duncan takes the law into his own hands, setting out on a quest for retribution. After killing the street thug who was directly responsible for her death, he finds himself in the middle of a war with the thug's brother, Rory Fetter, and his gang, who are equally hell-bent on getting even for their fallen member. What ensues is a tense back-and-forth game of one man's thirst for vengeance over another's. William comes to find that the quest for revenge always has the same ending.by:tuikan.cc

重拾被遗忘的最好时光 炼成舞台上的最后胜利2017 年，香港天后级女歌手容祖儿于香港演艺学院歌剧院一连举办十七场「Joey · My Secret · Live」演唱会，演唱会以历年非派台歌曲（Side-track）为主，因此次选择融合舞台剧形式的小场馆演唱会，入场人数有限，以致众多歌迷一票难求，新颖的演出形式也引爆全港网络讨论。这次演唱会起源于 2010 年「Concert Number 6」尾唱的安歌（Encore）点歌环节，当时歌迷不断要求容祖儿献唱「去火星恋爱」及「麻烦你」等非派台作品，祖儿便打趣道：“不如揾次整个 sidecut 演唱会呢！（不如找次机会举行一场非派台歌曲演唱会吧！）”。事后祖儿初有忘记此承诺， 被歌迷提醒后祖儿曾不断向公司提出举行 Side Track 演唱会的主意，唯其公司不断反对及拒绝。直至 2016 年 5 月，网络红人亦是容祖儿歌迷的 King Jer 于其 Facebook 专页举办「容祖儿 Sidetrack 投票活动」，吸引过万名网民参与投票，事件引来其唱片公司英皇娱乐关注，令其公司态度软化，遂促成这次被港媒评价为「香港乐坛演唱会史上一里程碑」的演出的诞生。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)