山河恋28

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

财务顾问们向希望控制资金和实现目标的人分享少花钱多存钱的简单小贴士

“三十而倒”的兴贵，不仅工作、情感不顺，现在连健康也失去了。身体逐渐康复，他的感知力也在慢慢回归。在回顾往事的过程中，他惊讶地发现外婆眼中的现实生活和他多年来感受到的有很大的不同。记忆的落差，促使兴贵开始重新审视过往，他渐渐学会接纳，他在发现爱，也在失去爱……

在跨性别女孩黄晓迪17岁生日那天，全家人团聚在一起为她庆生。饭后，父母叫她上车，要带她挑选生日礼物。然而，等待她的不是商店，而是位于重庆歌乐山上的一所“网瘾学校”。父母相信，这样能够扭转晓迪，使她成为一个“正常”的男孩子。身陷“私人监狱”，晓迪学会了屈服。面对暴力和羞辱，她忍辱负重，博取教官的信任。在她的耐心等待下，一个逃跑的机会终于降临...