皇族老板天赐

本片是山中貞雄的遺作，也是他的“時代劇的庶民電影”的代表作之一。他在片中吸取了美國電影和法國電影的影響，並受到摯友兼老師小津安二郎的“小庶民電影 ”美學影響，將歷史上江戶時代的小人物形像注入現代庶民的語言、性格、行止、靈魂，成就了一部難得的社會現實主義的佳作。故事發生於十八世紀德川幕府時代，以悲涼調子訴說德川幕府時期低下層的生活，開頭與結尾都是自殺場景，映照出舊時日本社會草根階層的悲哀。另外，山中的剪輯流暢自如，視覺風格鋒如日本繪畫，演員表演也很自然。此片公認為山中最好的作品，也是他僅存的三部電影之一。Humanity and Paper Balloons,unlike most other Japanese films of this period,is a historical film with a critical edge.Refusing to glorify samurai,the film insteaddeflates the myth around them with a gentle humanity. The film opens directly after a penurious ronin samurai has taken his own life.At his funeral his neighbors from his slum mourn his death. Here the film introduces another ronin samurai who lives in equal poverty. Having pawned his sword for food,the samurai searches for work but to no avail. The family's only income comes from the little balloon children's toys made by the wife.Out of desperation,the samurai abets in an attempted kidnapping. After finding out,the wife kills him in his sleep and then takes her own life, closing the film's narrative circle.Brian Whitener, All Movie Guide.

从懂事的时候开始是"丑女"的我。憧憬着小时候参加的婚礼，希望至少能演绎出谁的幸福瞬间，就职于婚礼策划师。各式各样的客人为了庆祝人生的开始而造访了酒店。这样的我，被能干的美型上司·久世课长求婚了！？“香澄，我一直在寻找。像你这样的……绝世丑八怪”“哈!?(怒)”

本作は、中学時代に“石”と呼ばれていじめられていた少女・石森羽花（いしもりうか）が、自由奔放で人気者な少年・三浦界（みうらかい）と関わりを深めていく中で、少しずつ積極的になっていくさまを描く青春物語。

里尔电影节国际评论家奖。将法国作家Lautreamont的《马尔德罗尔之歌》解体的实验之作，虫类在肉身挪动，倒转播出的乐章，创造出另一生物的特异官感，挑战常人的极限。