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一日，在外面玩耍着的小梅突然碰到了一阵奇怪的旋风。被怪风吓坏了的小梅，急忙跑进屋子里躲避，但怪风也跟随小梅一起钻进了屋内。这股像是动物一般，仿佛有意识的奇怪旋风，反而比小梅更加惊慌失措。小梅小心翼翼地上前打探，才发现它原来是跟其它猫巴士走散的小猫巴士。很快，他们就成为了好朋友。夜晚，小猫巴士让小梅坐在自己的身上，与她一同在天空自由快乐地遨翔。小梅的奇妙大冒险从此开始。片长仅为13多分钟的《梅与小猫巴士》是《龙猫》14年后的番外篇。片中除请来先前在《龙猫》中为小梅配音的坂本千夏外，导演宫崎骏也亲自挑战为剧中登场的龙猫及老猫巴士配音。

以刘锦州（赵达 饰）为首的“生旦净丑”四位戏子，为了营救在西夏左狼王墓失踪的师父，踏上凶险万分的探墓寻人之旅……

The battle that began in another world is now a war waged on Earth.

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.