越狱 阴谋

梁亚洲（张国立 饰）掉进了一个关系里。一方面他是宋晓英（徐帆 饰）的丈夫，一个可爱女儿的父亲；而另一方面，他却是李小丹（刘蓓 饰）的男朋友——他们在海南有一段浪漫的回忆。当宋晓英知道了丈夫竟有婚外情，绝然离婚。然而顾念女儿年幼，两人决定先分居。梁亚洲觉得悲伤，因为他失 去了一个熟悉的亲人，然而他却也放不下另一边的柔情。事情从宋晓英摔伤开始有了变化。梁亚洲那段时间一直留在家里服侍妻子，照顾女儿，经历过这些日子，他才切身体会到了当妻子的不容易。他和李小丹的来往也少了，而有一天，当宋晓英跟对面的李小丹平静谈起自己和丈夫多年的生活时，李小丹似乎明白了什么，她转身离去。这个家庭似乎又找回了幸福的时光。然而，一个电话却使一切都变得可疑……

Aftermath of a violent tragedy that affects the lives of two couples in different ways.

影片讲述来自韩国、日本、中国的３名年轻女子沦为日本军队慰安妇后备受蹂躏的不幸遭遇。据制片人张宝荣介绍，导演林睿一次在中国吉林拍片时，偶遇一位当年做过日军慰安妇的中国老婆婆，本片剧本即是在老婆婆口述回忆的基础上改编并加以艺术创作而成。老婆婆现已去世。本片由韩国新生代演员韩佳英、金美容、Ｌｅｙ领衔主演，其中韩佳英饰演韩国慰安妇，日本艺伎出身的恭子由金美容扮演，Ｌｅｙ在剧中扮演来自中国的丹丹。说起来，Ｌｅｙ和丹丹这个角色还颇有缘分。姿容甜美的Ｌｅｙ母亲是中国人，父亲是日本人，她精通中日韩三国语言，还有一个好听又好记的中国名字“李丽”。这使得她在揣摩和把握角色，塑造人物形象上得心应手。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.