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世代居住大草原的蒙古族孩子毕力格（Hurichabilike 饰）与家人和朋友平静的生活，被一颗顺流漂下的乒乓球打破。他和好朋友二锅头（Geliban 饰）、达瓦（Dawa 饰）起先认为这就是传说中的夜明珠，后来从电视上得知，这个球的名字叫“乒乓球”，是中国的国球。几个孩子为国球的“遗失”分外焦急，他们决定出发将乒乓球送还国家……本片荣获莫斯科儿童和青少年国际电影节“金天鹅”奖、2005年上海国际电影节最受大学生欢迎影片、釜山国际电影节CJ娱乐公司选定大奖、西班牙国际电影节最佳导演奖。

写真家・長谷川圭佑が初監督した、儚く美しい女性同士の＜関係性＞を描いたオムニバス映画。明るくてクラスの中心的存在の少女といつもひとりで読書をしている少女を描く「Episode1 17歳と17歳」、自由でマイペースでどこか人と違う魅力がある先輩と、同じ大学の後輩を描く「Episode2 21歳と20歳」、そして、都会から離れた自然豊かな公園に車でやってきたロリータ服の女性2人組の旅を描く「Episode3 31歳と30歳」と3つのエピソードで構成される。

一日，华明铁工厂经理裘汉卿之女丽莲随顾博士到郊外骑马，不幸被大猩猩掳走。这一切被不远处一位神秘客看到。裘汉卿夫妇闻讯后焦急万分，找来丽莲的男友康文生商量办法，这时丽莲踉踉跄跄逃了回来。她说自己是被人假扮的大猩猩抢去的，山洞里还关着三个少女命在旦夕。当大家带着警察赶到时，神秘客揭开了博士假扮大猩猩的秘密，他要用五个少女的脑髓制造长生不老之药。

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains