年代秀20121019

描写香港一普通百姓人家的生活。表现了在香港社会变革过程中，出现的一些社会问题，还有年轻一代观念的改变。父亲失业后，儿女都想分担家庭负担，却因为社会经验少，又梦想一夜暴富而屡遇挫折，最后终于找到自己的人生方向和位置。

邵玉临（秦汉 饰）和白蓝（唐威 饰）是大学时代的同学，两人之间的友谊十分的坚实。毕业之后，他们决定合开一家唱片公司，白蓝担任公司的老板，而邵玉临则负责创作编曲。白蓝有一个名叫白花（林凤娇 饰）的妹妹，他原本打算将白花介绍给邵玉临认识。可是，白花自幼身体孱弱，患有先天性心脏病，还没等到见面之日到来，便在异国他乡香消玉损了。一天，邵玉临听到有一阵非常美丽的歌城自录音室里传来，寻声而去的他发现了一位美丽女子的身影，着天籁般的歌声便是出自这名女子的口中。当白蓝将白花最喜欢的八音盒转交给邵玉临时，邵玉临震惊的发现，之前的女子不是别人，正是白花。

NHKNHK纪录片sighコロナ下で、性産業に転じざるを得ない女性たちがいる。派遣やサービス業を解雇され、生きるために足を踏み入れるのだ。しかし性産業も不況の中、水面下で広がっているのが“パパ活”。専業主婦や元派遣社員が、パパ活をせざるを得ない実態も見えてきた。パパ活は一緒に食事やデートをして対価を受ける名目だが、実態は性的関係も伴い深刻な性被害の温床にもなっている。女性たちに、今どういう支援が求められているのか考える。

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains