父亲是草原母亲是河

受去世的父亲影响，跟随祖母长大的吉尔莫?开心（亚当?桑德勒 Adam Sandler 饰）把冰球做为自己毕生的志向，然而在各种临时工作之余不忘训练的开心始终不被任何冰球队接纳。落选的开心脾气愈发暴躁，又遭遇祖母的房子因为拖欠税款被税局收缴，如果不能在90天内凑齐27万美元，祖父亲自建造的房子将被拍卖。一筹莫展的开心偶然发现了自己的高尔夫球天赋，加之六十年代的高尔夫球希望之星查伯愿意免费培训开心，对高尔夫球一无所知的开心迅速杀入了高尔夫球界，他狂躁的球风加上一杆进洞的超远球能力吸引了大众的注意，从公开赛到巡回赛一路战绩颇佳，与开心同场竞技的知名高尔夫球手席特无法忍受外星人一般的开心，誓要阻挠开心的高尔夫之路……

A killer driven by revenge tracks down and murders the five women who sexually molested his mentally unstable best friend and drove him to suicide. All the while the police search the underworld for the killer, the press plays up the sensational sex killings, and the killer himself finds his resolve weakened by his budding romantic relationship with a pretty young shopgirl.

本動作片由林兵編導，被一致公認為模仿李小龍最成功的演員黎小龍主演，拍於李小龍逝世後兩年。故事描述某日黎小龍正在練功，突遭數漢圍襲，鬥得高潮之際，突被神秘客周老闆及某導演叫住。原來黎小龍樣貌及身手均酷似一代巨星，導演徵得小龍同意，決定讓其參加巨星生前未完成之鉅鑄《死亡之遊戲》……

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains