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影片根据真实案件改编，首度揭秘边境最大势力的武装毒贩，九十年代末我国西南边境，“8077”边防武警特战队在一次剿毒任务中，先后遭遇山洪灾难和毒贩的算计，死伤惨重。为了牺牲的兄弟，“8077”幸存战士誓死展开绝地追击。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

根据曾被香港市民追捧的、反映他们真实处境的电视剧集《七十三》改编。1973年3月，香港恒生指数飙升近1800点，“辛苦做工不如痛快炒股”，全城市民为股票发狂，陈德录（陆仟）一家及与他们合挤在香港街73号的一大帮中下层邻居（谭炳文、程可为、井淼、欧阳莎菲、刘丹、李香琴等邵氏明星）亦不例外。陈德录本职是无线电器行职员，但他及同事上班时却从不为电器售出多少台而为股票升了多少点疯狂，他的老婆（李燕萍）及在大学念书的小儿子阿才（何守信）亦常将从街头、教授口中听闻的股票消息透露给他，不过他在保卫公司做工的大儿子阿福（岳华）及其做小学教员的老婆阿芳（井莉）较为冷静。然而股指终狂跌令众全港市民皆做“大闸蟹”。其时的社会疯狂、混乱事件不止此一桩：各行业利用分期付款形式将市民套牢；警察胡乱开罚单，市民遇事将他们找时，他们却左推右推不愿担负责任；市民无门路租到政府提供的廉价房，老千趁机将他们的辛苦钱骗光；教育界高层为了私利大发学生财，完全不管学生家长有无钱拿……这些，陈德录及他的邻居们都有切身体会。

老吴（吴耀汉 饰）是一名妇产科医生，他同妻子（冯宝宝 饰）结婚多年，感情依然美满如初。尽管生活不易，妻子和孩子们又要求多多，但老吴还是凭借着自己的努力不断的满足着他们提出的一个又一个愿望。为了丰富业余生活，老吴的妻子参加了话剧团，让老吴没有想到的是，话剧团的导演（楼南光 饰）竟然对妻子一见钟情，展开了热烈的追求。而一个误会又让老吴以为妻子接受了导演的追求，红杏出墙，这可急坏了老吴。老吴找到了自己的孩子们，让他们给自己出谋划策，想要挽回妻子的芳心，于是，在话剧演出中，一场充满了意外和笑料的机智闹剧就此上演。